Auditions attracted a very large number of adults and children all vying to be a part of Reading Operatic Society’s production of Oliver! which will run from 24-27 September at The Hexagon theatre, Reading, Berkshire.
Director Matt Whitelock was bowled away by the quality. “Wow! What an incredible set of auditions for Oliver!” he stated. “From over 60 children that auditioned, 30 strong young people have been cast in the younger roles. I personally saw some performing last night in Starmaker’s production of 13 (currently at the Wilde Theatre Bracknell this week) and can say they sure do know how to work the stage.
“It was also great to see so many adults interested in the production as well, Matt continues. “The pre-audition workshops were a fun way to get to know each other and hear about the vision of the show. We have some real talent treading the boards in the principal roles and understudies are primed for the Saturday matinee if they work at their roles too. With a few numbers already blocked and ideas flowing for the show Oliver! promises to be a real great piece of theatre for Reading.”
Adult cast list
Bill Sykes – Richard Bott Fagin – Damian Sollesse Fagin understudy – Jim Tubbs-Galley Nancy – Nicola Morrin Nancy understudy – Ellie Ulrich Mr Bumble – William Branston Mr Bumble understudy – Andy Camichel Widow Corney – Eve MacDonald Widow Corney understudy – Sam Prior Mr Sowerberry – Andrew Clarke Mr Sowerberry understudy – Stuart Brookfield Mrs Sowerberry – Anna Jennings Mrs Sowerberry understudy – Amie Jones Mr Brownlow – Andy Camichel Mr Brownlow understudy – Gareth Watkins Mrs Bedwin – Gloria Griffiths Dr Grimwig – Stuart Neal Strawberry Seller – Sherridan Povey Rose Seller – Charley Woodward Milkmaid – Charis McMaster Knife-grinder – Sam Pemberton Old Sally – Abi Clarke Longsong Seller – Andrew Johnson Oliver’s Mother – Lucy Herd
After months of preparation the cast and crew unleashed the full force of The Wedding Singer at The Kenton Theatre, Henley-on-Thames last night.
The Kenton might be Britain’s fourth oldest working theatre but there’s nothing old-fashioned about this performance, with more than 200 costumes, loads of 1980s-style props, a complex digital sound system and an enhanced lighting rig. The cast have been doing full runs of the show for nearly a month now and the result was a brilliantly well received first night performance, which reflected well on all the efforts.
Tickets are still available for some performances – visit our Wedding Singer page for more information.
Stop press – audition material is now available. If you have already submitted your audition form please contact email@example.com for download access details.
The youth audition for those aged 8-18 will be held at St Peter’s Church Hall, Earley, Reading on Sunday 27 April from 1.30pm-5.30pm. It will be workshop based and you will spend time dancing, singing and acting.
Rehearsals for successful children will be Sunday afternoons 2pm-5pm through May, June, July and September with some Monday and Thursday evenings during those months at times to be confirmed.
Reading Operatic Society is pleased to announce that it will be performing Oliver!, Lionel Bart’s highly popular musical, at The Hexagon Theatre, Reading, Berkshire on 24-27 September 2014.
This musical adaption of Charles Dickens’ Oliver Twist has been filling theatres since it was first performed in 1960 with the most recent London revival lasting three years until 2011.
The Reading Operatic Society production will be directed by Matt Whitelock, a professional actor and acting coach who is also principal of Berzerk Productions in Reading. Casting will be held later in the year; further details will be published on this website and our Facebook page.
It’s great to see the following news item on the Reading Chronicle in support of our forthcoming production of Grease.
Music and theatre lovers have the chance to pull out their leather jackets and turn-up jeans when one of the most popular musicals of all time comes to Reading.
The Reading Operatic Society will perform the 1970s hit Grease at the Hexagon, in Queen’s Walk, from Wednesday to Friday, September 28, starting at 7.30pm.
The society’s chairwoman, Yvonne Maynard, said: “It’s going to be fabulous. Everyone has put in 120% at rehearsals – we have a great bunch of kids.
“It should be a very good show and sales have increased after the success
The show will be raising money for Deafblind UK and the learning disability charity Mencap, with audiences given a chance to donate before and after each performance.
Tickets are £18, and £16 for concessions, for each night. Keep the music going with a rock ‘n roll after-show party on Friday at the venue, with a buffet and disco. Party tickets cost £12. To find out more, visit www.readingops.co.uk and for tickets call the Hexagon on 0118 960 6060.
The society is always looking for new members and auditions for the next production, The Wedding Singer, are in November 2013.
Great news in The Henley Standard. It turns out that Reading Operatic Society can banish the blues by bringing Footloose to The Kenton Theatre.
Mary Williams’ spur of the moment decision to make a “rash purchase” of a ticket to see the show on Saturday night resulted in her being delighted.
“The youthful cast were a joy to watch, especially Sam Pemberton for his comedy timing, Charlotte Gilliam for her cute quirkiness, James Gwynne for his powerful singing and acting and Jerome Ifill whose dancing ability was outstanding.
“I have not been a frequent theatre-goer before but if shows like this are at the Kenton regularly I will certainly be back.
“Thank you for a wonderful evening Reading Operatic, I feel much better now!”
Reading Operatic Society has unveiled its new logo following a design process by the society’s lighting designer Kim Hollamby, who works as a communication and marketing director by day.
The logo incorporates the full name, the familiar ROS initials and a quaver to provide a visual clue regarding the musical focus of the society.
“ROS had used various logos and related designs over the past few years,” Kim Hollamby explains. “But the brief was to provide a new design that would be used throughout all of the society’s material in the future. There were lots of ideas that were tried but the final version seems to summarise very well the society’s past and present.