Best Little Whorehouse in Texas auditions announced

The Best Little Whorehouse in Texas Kenton Theatre Henley-on-Thames Oxfordshire Reading Operatic SocietyAuditions for Reading Operatic Society’s production of The Best Little Whorehouse in Texas will be held on Sunday 12 October, 1.30pm at our usual rehearsal venue.

Audition specifics are noted further down this page. We’re looking forward to getting a great cast together so if you wish to audition please post your details here on this page. Once received we’ll arrange to get audition material out to you directly.

The show levy will be £70 and non members will be charged a £5 audition fee.

The Best Little Whorehouse in Texas will take place at The Kenton Theatre, Henley-on-Thames over the week of 19-25 April 2015.

Rehearsals will be held at St Peter’s Church Hall, Earley, Reading – Mondays and Thursdays at 7:45pm, plus some Sundays as called.

We look forward to hearing from you.

Application form

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By sending this request for audition I understand that participation in the cast of The Best Little Whorehouse in Texas will involve payment of a £70 show levy. I will additionally pay a £5 audition fee if I am a non-member. I will abide by the rules of Reading Operatic Society and all reasonable requests with regard to the show.

Vocal Audition Pieces

Miss Mona Strangely – low alto
3. A Lil’ ole Bitty – start to bar 52
18. No Lies (with Jewel) – bars 68 to 96

Bandleader / Narrator – tenor/high baritone or mezzo
1. 20 Fans – start to bar 25

Sheriff Ed Earl Dodd – baritone
19. Good Old Girl – start to bar 63

Melvyn P Thorpe – baritone
8. Texas Has A Whorehouse – bars 21 to 97

Jewel – mezzo
9. 24 Hours of Lovin’ – start to bar 51
18. No Lies (with Mona) – bars 68 to 96

Doatsey Mae – alto
12. Doatsey Mae – start to bar 24

The Governor – tenor/high baritone
16. The Sidestep – start to bar 89

Named Whores Linda Lou, Ruby Rae, Beatrice, Eloise, Durla, Dawn, Taddy Jo, Ginger and Angel
4. Rules – bars 134 to end (taking Mona’s line in harmony sections)
Audition in groups of three

Chorus
2. 20 Fans reprise – start to bar 20 (lower notes where it splits)
Audition in groups of 6

Libretto auditions

Duologues

Miss Mona (female) and Angel (female) start page 19 “So how much experience…” – Mona
Finish page 20 “I told you everything” – Angel

Miss Mona (female) and Sheriff (male) start page 41 “Goddammit Mona” – Sheriff
Finish page 43 “Well hell yes” – Sheriff

Senator Wingwoah (male) and Aggie (male) start page 56 “Boys I want to tell you” – Senator
(one actor playing all Aggies for audition) Finish page 57 “Yeehaw” – Aggie

Monologues

Bandleader (male) start page 11 “It was the nicest…” (possibly plus audition song as well)
Finish page 13 “Treat her customers real nice”

Melvin P Thorpe (male) start page 33 “Thank you Texas…”
Finish page 34 “Isn’t this the age of tellin it like it is?”

Angel (female) start page 37 whole speech
Finish page 37

Miss Mona (female) start page 73 “He had his moments”
Finish page 74 “And the worst fucking eggs benedict”

Additional notes

  • Anyone going for any older male part can read Sheriff and Mona or Senator and Aggies scenes
  • Anyone going for old female parts can read Mona and Sheriff or Mona and Angel
  • Angone going for younger female part can read Mona and Angel scene
  • Anyone going for younger male part can read Senator and Aggies scene –all Aggie lines

Oliver! getreading review

getreading attended the Thursday night performance of Oliver! and came away impressed with the way we filled the stage and drew a big audience. Read below or visit getreading‘s review by Caroline Cook here.

Tickets are still available – book direct at The Hexagon o118 960 6060.

Get Readinggetreading Review – 26th September 2014

Reading Operatic Society presents Oliver!

Until Saturday, September 27

The Hexagon is a big stage for amateur groups to fill.

Some struggle to project to the upper circle, some lack the atmosphere of a packed audience and some just don’t have enough bodies on stage to make it feel full.

The Reading Operatic Society had none of those problems last night with their thoroughly entertaining version of Oliver!

The cast of 80 made for an impressive sight on stage, with full cast numbers like Consider Yourself and Who Will Buy? feeling vibrant and lively, with tight and well-performed dance sequences from choreographer Sally-Anne Coleman.

Principal performers were sensational with Tristan Berry, who plays Oliver, a real star in the making. Where Is Love? is always a nerve-wracking moment in Oliver! – can the young actor pull it off? – and Berry sailed through, hitting the high notes and giving real emotion in his performance.

He made a wonderful double-act with Ben Lewis, as the Artful Dodger, with Berry’s crisp upper-class vocals in nice contrast to Lewis’s cheeky chappy persona. Two young Reading talents who we will be seeing more from in the future.

The adult principals were equally impressive with Nichola Morrin a stand-out as a passionate and heart-wrenching Nancy. Her performance of As Long As He Needs Me showcased a beautiful singing voice while she cranked up the energy for up-tempo numbers like Oom-Pah-Pah.

Damian Sollesse as Fagin was also a gem, faithful to Ron Moody’s film version of the character, while Richard Bott played a frightening Bill Sykes, all gruff voiced and flaring temper.

It would have been nice to dwell on Sykes’ final scenes a bit more, the ending felt a little rushed with missed potential for building greater tension.

The Lionel Bart musical is one of the classics, and one which doesn’t get quite as many outings these days as it used to – perhaps a good thing when we’ve all seen Grease and West Side Story one time too many.

Director Matt Whitelock has also managed to make the musical feel fresh, keeping its setting in Victorian England but adding in huge personalities, touches on humour, and clever set pieces to give it a touch of the modern.

Speaking to getreading before the show Matt hinted at some zombies – something which would surely turn the show into parody? But thanks to clever execution of the scene in the Undertaker’s Shop, with a more Tim Burton feel to things than Night of the Living Dead, Reading Operatic Society managed to pull it off.

Andrew Clarke as Mr Sowerberry was particularly amusing in the scene, appearing like a Jim Carey style caricature with hunched back and elastic limbs.

Reading Operatic Society has some real stars in its cast and it’s nice to see a production which isn’t afraid to challenge convention.

What others are saying

“What a great show, well done to everyone involved, my Mum and I thoroughly enjoyed it. And loved the poodles!”

“Loved the show tonight! Congrats to all involved! What a fantastic cast, orchestra, crew, lightingetc! Well done x”

“Wow, fabulous! Well done all of you. Such talent and energy! Orchestra fantastic too! Best wishes for the rest of the run.”

“Amazing show. Much better than what we expected. Infact at times, it was like watching a 3D movie.”

“They was blooody good!”

“Watched the show tonight with friends, it was amazing! I am in awe of you all!
Can’t wait to watch it again.”

“Well done everyone, fantastic show, loved every minute, all that hard work has definitely paid off.”

“Very well done to Matt Whitelock on directing and Sally-Anne Coleman on choreographing a fantastic production of Oliver! this week at the Hexagon. Excellent performances all round, but of course special congratulations to Richard Marlo Bott as Bill Sykes, Anna Jennings as Mrs Sowberry and Stuart John Brookfield. Very atmospheric lighting and clever use of smoke by Kim Hollamby, with special follow-spotting from Louis Martin and well run backstage by David Parsonson. Oh, and I’m guessing Steven Foster probably helped a bit too!”

“I expected the show to be good, even fantastic but I wasn’t expecting awesome! X”

“Fantastic! I had no idea what to expect. What a brilliant show, and totally professional. Such a talented group of people you all are. Not many shows would have such a large children’s cast, nor the animals! You did, and they were perfect, as were the adults. I can’t wait to see it again tomorrow.”